One of the less gruesome cannibal tales. This same print was used for the later Vipco releases. The script is basically an excuse to re-use footage from other films though, and it doesnt make much sense anyways. The film shows some sadistic torture and a brief cameo by her sister taken by a documentary film crew who obviously didn't make it out. For the Diana Ross album, see Eaten Alive album. For the film by Umberto Lenzi, see Eaten Alive!. The film stars Neville Brand, Roberta Collins, Robert Englund, William Finley, Marilyn Burns, Janus Blythe and Kyle Richards.
Of course escape is next to impossible with the always-hungry cannibals waiting them out and the crazy followers of the suicide cult leader ready to eat them on command. This article is about the Tobe Hooper film. The cuts included all footage of cannibalism, explicit rape scenes, the castration of a native man, and a man's ear being severed. The animal violence was also cut including a snake killing a monkey, scenes of a snake fighting a mongoose and a bird, and the mutilations of a crocodile and an iguana. She then leaves for the jungle joined by cannibal film regular Robert Kerman playing Mark Butler , where they meet up with the standard Cannibal tribe and a Jim Jones like cult leader. For the title track from the album, see Eaten Alive song.
It was written by Kim Henkel, Alvin L. Fast and Mardi Rustam and produced by Fast, Larry Huly, Robert Kantor and Mardi, Mohammed and Samir Rustam. Eaten Alive known under various alternate titles, including Death Trap, Horror Hotel, and Starlight Slaughter is an American horror film, directed by Tobe Hooper and released in May 1977. . For its 1987 video release the film had been extensively pre-cut by the distributors before submission, removing 5 mins 42 secs of footage. The print used also replaced many of the nude scenes with alternative clothed footage. Overall its still better than Slave of the Cannibal God and less boring than Cannibal Ferox.
A woman is searching for her missing sister and she finds hope in the folly of a dead hit-man who has a film on him. Actually its rather humorous in a cheesy sort of way, and lenzi does manage to put in some decent atmosphere. . . . .
. . . . . . .
. . . . . . .
. . . . .
. . . . . . .
. . . . . .