. When I start working on a canvas I push it to resolution, while working as long as I can on a body of work, to explore and go with it's developmental changes. It's original entertainment you won't see anywhere else. I find it impossible to rework an older painting. Starring Brendon Gleeson and Harry Treadaway.
Like an interpretive dancer moving through the space that holds it. I can not plan where the work will go. The image would be the result of this encounter. Each canvas or drawing becomes like a musical note or a letter of a much larger and ongoing statement that continues to evolve and form it's own unique cellular body. It's committed to pushing the envelope with a growing slate of critically acclaimed original series. Hand, brain, direction, shape, dark line, light line, obliterated line,descriptive line, always feeling line, feeling interpretation. Every way into herself is there for her pleasure.
She throws back the covers to revel in her naked body. She goes harder and deeper as the excitement drives her onwards. Directed by Jack Bender and adapted by David E. See where it takes her. Plus, music fans can see exclusive concerts by today's hottest artists on. Much of my work is pure pigment.
She will do anything to satisfy her passion. She throws back the covers to revel in her naked body. The smell of oil paint has been in my life for so long I am sure it alters my brain chemistry. She will do anything to satisfy her passion. With the addition of a more expanded color palette the paintings become afterimage light and colored shadows creating a visual zone or dimension of their own. Every way into herself is there for her pleasure. Join her on her wild ride.
Is drawing always a form of calligraphy?! There is always a connection and evolution from prior paintings; certain symbols and shapes. Feverishly she uses her fingers to explore deep within. Mark Tobey, Arshile Gorky, Jackson Pollock. The instant she opens her eyes she knows what she wants to do. Mercedes, Finders Keepers and End of Watch. Feverishly she uses her fingers to explore deep within. I move on in my process as it is ever expanding and always present.
The instant she opens her eyes she knows what she wants to do. I have been working in a limited color palette for years. In my work you will see the line and the pigment doing their dance or singing their song. I attended so many drawing classes between Otis and Chouinard's in Los Angeles that it seems as if I knew every live model by name. She goes harder and deeper as the excitement drives her onwards. The painter no longer approached his easel with an image in his mind; he went up to it with material in his hand to do something to that other piece of material in front of him. I am interested to see how these paintings develop since I am working from my most current drawings.
What was going to go on the canvas was not a picture but an event. A demented serial killer interrupts a detective's retirement, opening old wounds and orchestrating new havoc. . . . . .
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