Deep House Phased Fender Rhodes 4. The Lazy Snake electric piano gives you this lounge and mellow sound. Select from among these options. I have played one and as I recall the keyboard action was just horrible — really heavy to my soft synth hands — but the sound was sublime. Arturia have put a lot of focus into the amplification and effects loop, including a volume and sustain pedal.
This would be compatible with both 32 bit and 64 bit windows. The master of all electric pianos is played through a vintage tube combo amp and recorded by rare vintage mics for a wonderful sound quality. Whether you are looking to emulate a particular sound or simply find your own, you have direct access to all piano components. The factory library covers about every electric piano need and more. It also gives choice with a micro-detuner and an amp cover. And you have a chock-full of them to choose from: compressor, equalizer, delay, distortion, phaser, chorus, flanger, wah wah and notch filters, and reverb. The sounds are generated through pure synthesis, no samples are used.
The Lounge Lizard plug-in integrates seamlessly into the industry most popular multi-track recording and sequencing environments as a virtual instrument plug-in. Learn all about the ergonomics, the modules, and the sound of our electric piano. There is a demo version to try which they say will move you to tears, from the website. Pretty much every digital synth, keyboard workstation and sampler will have some kind of Rhodes electric piano going on. Velvet is a practical electronic piano that combines five renowned electric pianos from the 60s and 70s into one versatile instrument.
This program was originally created by Applied Acoustics Systems. Essential if you plan to do funk-jazz, deep house, or any soulul music. Use a triangle shape for a smooth effect or a soft square wave to obtain a chopped effect typical of suitcase pianos. They have come in several forms over the years but the Scarbee Mark I is their definitive sampled Rhodes machine. Compressor and Equalizer Craft your sound and add punch.
Waves Electric 88 And so we come back to the plug-in that sparked this little round up. With your product serial number, you will be able to generate two different authorizations every 90 days directly from our website. Famous artists such as Stevie Wonder, Herbie Hancock have made numerous famous tracks using the Fender Rhodes. It even looks vintage too!. We do offer educational discounts on our products to students and teachers. If you are looking for a free way out for your Fender fetish, this is the solution.
Yes, all the upgrade options are available from your Offers page—the Upgrade button below will take you there. The most iconic performance for me is Ray Charles playing Shake a Tail-feather in the The Blues Brothers movie. Get a warm smooth tone or make your piano growl or bark. Velvet also features a collection of effects and a built-in preamp to add crux, feel, or tremolo to your electric piano track. Addictive Keys work as a cybernetic instrument organized exclusively in your host music software.
The entirely new factory library features the classic Wurlitzer and Rhodes sounds as well as over 200 gig and mix-set custom electric pianos making good usage of the equalizer, compressor, and multi-effect processor. For more information on educational pricing or to order please contact by email or phone. Recording with vintage microphones placed both close and far, turned the amp both close-up and with natural ambience. You can develop your sounds more by using an extensive range of chorus, wah filter, distortion, flanger, tape delay, and phaser effects to emulate an outmoded sound or create something completely fresh. Bagged in meticulous detail through top of the line gear, the Classic Electrics libraries combine unrivalled playability with world-class sounds, making them just as impeccable for the stage as the studio.
Also check out as well as for some diverse choices. Riders on the storm 3. Edition Hammer, tone, tine, pickup—Lounge Lizard is built around the modeling of real piano components. Ray Charles — Shake a Tail Feather 3. There has to be a point at which the detail starts getting lost under the weight of the samples and variations.