So I don't have that option on. So much fun, let's try another one, maybe this one. We're not gonna actually, close that out. These brushes are great for those scenarios. So we'll just kind of scribble something in, and we'll command or control click one more time, and fill this white.
Alright now we're going to do a little, another trick here. You can get really nice effects and textures and not an artificial and completely unnatural smooth gradient as with many default Photoshop brushes. And we're gonna start with this one, called Embrace the Mess. But it just takes a minute because there are so many. And there we go, we have this fun picture, and we can really zoom in and look at all this detail and different textures that we were able to achieve with brushes that are just included and already available. There, we can work with that cursor a little more easily. But that's what's cool about all this stuff, you can also customize even the already custom brushes.
Drag any brush individually from the Brushes panel to the Libraries panel. We're still not seeing it a ton because I think it just doesn't have a very defined cursor. As part of the Adobe Design team, anyone can present an idea, and you have people who help make it happen. Now if yours doesn't look like this, if you're not seeing this same kind of layout when you open your brushes, it's a simple fix. But the three sets below it Dry Media, Wet Media and Special Effects Brushes are new brush sets from Kyle T. And this one, we're gonna come back and choose from the same collection.
There we go, like I said it's a lot of trial and error so, we'll just kind of brush down on the tree. So I'm gonna use my left bracket key a little bit, to change that and get something closer to 400. And I look up here and I see my brush is 986 pixels big, that's huge. Let's make a, oh this one didn't get in there. I'm gonna show you how to draw straight lines, painting with the paint brush. It's gonna follow us everywhere now. I recommend requesting him to make some Adobe Illustrator brushes though, as he's a super nice guy and the if enough people suggest it he may consider it.
Do you also want to see the tip of the brush? If you ask me, you should! And the truth is it's just a lot of trial and error. All I have is orange, you can see my white is in the background even so if you're following along at home and you have this file, you want to target the start your design here layer, in the file, in the layers panel. And I think this is really important especially not only with Photoshop in general right? So I just wanna make sure that I am also seeing the stroke here, so then I can better choose my brush and I forget which one it was that I loved so much. So let's scroll down to the R's, oh I passed it. It used to say load brushes, but I think get more brushes sounds a lot more fun. I was looking to gain new skills in using brushes, and I definitely learned a lot of new techniques and tools! This is like a thing, have you guys seen the birch trees all over Pinterest? So we'll select that, and change a color, maybe, to blue. Maybe, I don't know, cork bubbles? Kyle is hands down the worldwide leader in creating custom tools for digital illustration.
And under the pixel brush we should be able to see that. So I'm going to command, or control click to put a new blank layer behind everything. A really big long list of amazing brushes. That means I will soon be live streaming frequently and creating tutorial videos. And we're going to be using a different brush on each one of these trees from Kyle's concept collection, which I just can't wait to show you so, let's go back to our brushes. So maybe the wind is blowing left, or the right. And see what kind of marks we get.
So like an orange, perhaps? You can share that on social media. There we are, this one is gonna be pins and needles. We open the brush panel, and we come up here to this little dial setting, and when we click on that, you'll notice that there's an option that just says get more brushes. Deselect, let's move down here to the next one. So there's something, a make up pack, there's concept brushes, rake brushes, watercolor, half tones, cross hatch, blah blah blah.
Looking back, he tells me that it was less of a question of if he should join Adobe, but when. Command or control click that trunk, there we go. So I'm trying to come in from the left, and sort of like tickle the tree a little bit with the brush and give it some texture, okay? Multinational computer software company Adobe Systems has acquired a digital paintbrush company created by , an award-winning illustrator and designer who teaches in the at the University of North Carolina School of the Arts. This one we have a brush called bubbles and burst. And we can see that he has a huge jitter setting of 10%.