I think that'd be a fair trade! There, I've found my catchphrase at last. Oh, no, they're all cracked, look. I struggle with these tongs. It's not particularly good, though. Look at all that black on there.
I need to stay calm. Are you feeling quite confident 0:29:56 0:29:58 with taking this forward now? I mean, they look like five sisters. He was the most confident one. Another good one, another good one! I don't really want to go home yet, 0:47:18 0:47:20 that's the thing. I think the judges' comments 0:47:20 0:47:23 have all been fair, but I'm just not quite ready to go.
You did well on the forms, on the original task, 0:50:02 0:50:06 and the glazes are illustrating all sorts of different 0:50:06 0:50:09 crazing, different colour, but there's a clarity between the set. . You've got 45 minutes left. We saw this, didn't we, in the raku? Carry on, though, great start. You haven't let the glaze let loose. Line From To 'Nope, it's still not the bit between the programmes in the 1960s. And for the throw down, the potters have just 15 minutes at the wheel to produce exact copies of two ornate candlesticks thrown by master potter Keith.
I need to get into a rhythm, 0:09:42 0:09:44 and you can't do that. The only thing I would mention is, I'm not sure 0:50:40 0:50:43 if the blue fleck really adds anything to it. They are playing with fire in their main make, when judges Kate Malone and Keith Brymer Jones ask them to make ten identical long-necked vases using the raku technique. Last in the throw down. But I didn't quite cry, 0:53:36 0:53:38 I just kind of. There's a great big crack on that one. And you want a nice fluent shape.
It's one of those spontaneous, 0:27:22 0:27:26 splash it on kind of approaches that really works. For their spot test, the potters must produce the finest decoration on three jugs using slip - watered-down clay. This Japanese method of decorating and firing dates back to the 16th century and requires the potters to take their red-hot vases straight out of the kiln and plunge them into a bin full of combustible materials. Quick, do a bit of fleck on it. Pick it up, pick it up, Sandra. But that's their job here, 0:53:28 0:53:30 to compare and contrast us all, so.
D'you want to grab your pots? It is an ancient method which first enabled potters to colour and pattern their work. It's been the best thing I've 0:57:30 0:57:33 ever done in my entire life, and I would do it all again tomorrow. . . . . .
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