So yes, you're right about that, if you want to send just the kick to the bass. Massive is also loaded not needed really i guess. You do the same thing, except you're sending the ghost kick to the bass track rather than the kick to the bass track. If someone wants me to do it for them i will upload that too, but if your at that point where you feel you need a 4th band you should know what the fuck your doing way better than me! Try to detune the saw waves for a little more umph. Bit of a ramble since i typed it over time as i thought of things that people may want to know.
Inside this pack you will find a top-notch progressive trance template with all Presets and Samples provided. No verbal abuse of any kind. However, using a ghost kick is slightly different. Submit it to the Feedback Thread! Production team prepared for our fans. Also, the ghost track allows you to better control volume envelopes, and allows you to sidechain multiple tracks more easily, because all of that can just be handled in one piano roll, through one mixer track, and one fruity limiter per sidechained track.
Allowed links: anything common and unsuspicious. If there is a better site please let me know. Try it out if you want. If you take the time to try this out, please give me as much feedback as possible. When making a new one i like to load it on A and B then only have B output and affected.
Play around I am still new to this but i like starting here. It starts from the bottom left on F2, and only uses white keys they're bigger dammit! All of them are disabled by default so nothing is messing with your base sound until you want it to. The img tab could be slightly tweaked i think, not sure what the scale and form should be set to. If a thread is about collaboration or something that needs a sound example then you may post a link to your sounds. Personally, I find it easier to use the Fruity Limiter method.
Keep making new harmors but keep the old ones. Want to share a few tips and tricks? Then load harmor which is routed to a different insert without a frequency splitter. This is the ghost track. If you routed correctly in the above step, you will see the Sidechain mixer track show up as an input where you just right-clicked. Just some things to consider. You're totally right though on all points. No matter what you end up doing, the most important thing is to increase your productivity and I'm sure that's what you've accomplished.
. There is delay compensation so do what feels right! There is a Mastering effect chain on the master track, and a standard instrument effect chain that is mirrored on each other individual track. Resample with harmor tip: There is a way to make the unison pitch only affect the higher harmonics which keeps that nice power to the bass. Good luck on getting your setup right. I've also changed the notes on each pad.
I think if you kept the routing and insert numbers the same in a new project it would be ok. Has harmor resample patch loaded. I want the kick to be louder than the bass line so I'm going to duck the bass correct me if incorrect jargon but I want to make it quieter. I'm going to send the sidechain from the kick to the bass, and then put the limiter on the bass, selecting the kick channel on the bass's limiter in the side chain option. If I explained it shit, let me know, and I can record a quick video tutorial when I wake up tomorrow.
Want to do all this on Reddit? It basically reads left to right, bottom row to top row. Saving the mixer inserts with the bass patch can help but i never get it to sound exactly the same. Enjoy : Full License This here is our Full License. It starts from the bottom left on F2, and only uses white keys they're bigger dammit! This particular license is sold only once to a single user or a single company. Not giving feedback in the feedback thread within 3 days of posting a track is not cool. The ghost kick should now affect the mixer track.