Mickey decides to go looking for answers outside of his Salton Sea community, the discoveries he ends up making too ambiguous and vague to be as deeply moving as I think Cheung intends them to be. How does the community react? Film Rating: 2½ out of 4 We are dedicated to creating a distinguished user experience and a website rich in content with solid execution. More than that, even though Future World was something of an eye-rolling disaster, Cheung showcases a confidence with actors and an impressive imaginative flair that makes me believe this young director is a talent worth keeping an eye on. Behind the wheel is his son Mickey , who occasionally narrates the film with extraneous, unnecessary snippets of information. Read on for a listing of streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'Don't Come Back From the Moon' on each platform. It is here Mickey sees the futility of life and that no matter how green the grass on the other side of the fence looks, it will always have its problems.
When Sonya moves to Nebraska with her father, Mickey is left all alone once again. Late in his narration, Mickey tells us he imagines his father butt nekkid in a hot tub with beautiful Moon women. Alone, Mickey must come of age quickly as his mother Rashida Jones copes with raising two boys on her own. The Moon deserves better symbolism. Although not its intention, the movie depicts that a life devoid of Christ is futile, offering only temporal, fleeting pleasures.
I also felt like, as hopeful and moderately heartwarming as the final moments might be, the last few scenes rang slightly bit hollow as far as I was concerned. Finally, the movie delivers few scenes with music or anything else that propels the story forward. Released January 18th, 2019, 'Don't Come Back From the Moon' stars , , , The movie has a runtime of about 1 hr 38 min, and received a score of 63 out of 100 on Metacritic, which collated reviews from 8 experienced critics. The kids, especially the teenagers, find a number of varying ways to vent their anger including staying out late partying or scrounging the crumbling buildings and factories for bits of scrap metal they can trade for items like a used bicycle or a few eggs to make breakfast with. That said, the movie does end on a positive note where Mickey finds contentment and decides to be a better father than his own father. Since we are not given any information, either in the visuals or in the performances, for the choices most of the characters consider making.
He is forced to face the consequences of his father leaving and ultimately how he must break the cycle and learn how to grow up himself, while also falling in love with a girl Alyssa Elle Steinacker whose father also went to the moon. The moon symbolizes the better life we all want for ourselves, but is just outside our grasp. Also, there several scenes of underage drinking. There is still a lived-in quality to this tale that I cannot deny. The ethereally barren strangeness of both the locale and the bizarre events are fascinating, and I loved the way the director submerged me right in the center of it all with practically no explanation whatsoever.
Dirty old man leering aside, Clark might have made a more honest take on this material, or at the very least, one that appealed to the sense of hopelessness by way of debauchery. Theories about their whereabouts swirl through the ether as their wives and teenage children wait for their return. I loved the first half hour or so, the portions where Cheung, co-writing the script with the Bakopoulos, introduces us into this world and sets up the conditions the various characters all find themselves forced to deal with. It also tells the fickleness and temporary gratification life offers without the love of Christ. The plot moves too slowly.
But notice the absence of the mother of his child in the scene where he comes back. A teenager, Mickey, struggles as his dad abandons him and his brother one night after he teaches him to drive. The movie bows in the 10-film U. It was financed by Great Point Media which is also handling international sales. Together, they meander through a new life of abandonment together. With his use of expressive close-ups coupled with long expansive shots of seemingly never-ending desert vistas of a dilapidated, crumbling community on the verge of being gobbled up by the sand, the film is undeniably visually impressive.
However, some of the acting is lackluster, and the plot moves too slowly. It becomes nearly impossible to feel for anyone. Without warning, she throws him out of the house. These are his kinds of characters—aimless, destructive and horny. You probably already know what the movie's about, but just in case. It also has some underage drinking and an unwed pregnancy.
Struggling with his new position, Mickey becomes romantically involved with two girls, one of whom becomes pregnant. Related Story Dark Rabbit Productions and Elysium Bandini Studios produced the pic, with Jay Davis and Lauren Hoekstra producing and Vince Jolivette, Robert Halmi and Jim Reeve executive producing. With every trip, the concept becomes less effective, and since it registered as an empty conceit the first time it was invoked, it becomes an obnoxious tic by the tenth time. Subscribe to and keep your inbox happy. The basic thrust of the plot involves an entire community of abandoned wives and kids where all of the men for one reason or another have slowly left to explore their options elsewhere.
Mickey and a group of other teenagers whose parents have left struggle to put the pieces of their desolate town back together again. Cheung sends the viewer to the Moon so many times that I began to question if Ralph Kramden had written this movie. Events are centered on 16-year-old Mickey Jeffrey Wahlberg , his father Roman Franco taking time to teach him how to drive before slipping out of town himself to who knows where, leaving the teen to take care of his emotionally devastated mother Eva an outstanding Rashida Jones and younger brother Kolya Zackary Arthur. And the story treads dangerously close to the idea that a woman cannot raise a son successfully. The camera kind of leers at them, but not enough to be truly salacious.
Cheung and his cinematographer Chananun Chotrungroj utilize their poetically sparse and majestically vacant environment with mesmeric precision, the expressive, tragically persuasive charms of this introduction undeniable. They leave their angry, frustrated sons and daughters behind — kids who act out, engage in acts of petty burglary and vandalism, and look for love and family connection in the aftermath of Don't Come Back from the Moon is a story of abandonment, when all the men in a remote California desert town walk away from their families, one by one. Eva digs in her heels, however, and not once are we privy to her reasoning. It would rather lean on male stereotypes involving fighting and virility. While some of that sounds relatively straightforward, in reality very little of it actually is. Summary: Don't Come Back from the Moon is a story of abandonment, when all the men in a remote California desert town walk away from their families, one by one. Hunting down a streaming service to buy, rent, download, or watch the Bruce Cheung-directed movie via subscription can be confusing, so we here at Moviefone want to do the heavy lifting.