Yet the disputatious duo of SticMan and would be an oddity on any label, as they shoulder the burden of revitalizing a genre problack which has been seemingly erased from the collective consciousness. Taking social activism to new heights, are the most revolutionary hip-hop group to emerge since lost their audience and disbanded. Until Howard Zinnfandel writes A People's Disco History of the United States, this one is unique. Brooklyn's militantly minded hip-hop duo Dead Prez practice revolution even with their discography, so while Information Age is their first official and proper album in eight years, they've haven't been inactive. Signed to a label Loud notorious for its astute thug philosophers , , and , 's empowering debut, , seems like a misplaced oddity. True to its futuristic title, Information Age is like Afrika Bambaataa doing some Boogie Down Productions, or Prince when he was battling the new wave genre for dance club supremacy. .
Don't call it a comeback, because mixtapes, street releases, and collaborative efforts with the Outlawz check 2006's Can't Sell Dope Forever for an outstanding reality check have been bucking the system the whole time, but those who don't dip into the underground are in for a shock, like an electro-shock. Some will walk away confused, others will walk away in disgust, but those intrigued by the idea will find this blast of contrasts is alive and inspired. In the end, the unpredictable Information Age is like seeing Noam Chomsky popping bottles in the V. . .
. . . . . . .
. . . . .
. . . . . . .
. . . . . . .
. . . . . . .
. . . . .
. . . . . .