You can also make changes by entering parameter values in the Amount and Rate fields below the X-Y controller. Note that increasing the gain does not increase the volume of the source signal in the mix. Group this chain into an Effects Rack! When the signal goes from above to below the threshold, the Hold time kicks in. You can drag and drop to the browser or directly to a track, creating a new clip. The Soft clipper is not a transparent limiter, and will distort your signal when active. These levels should be set carefully to avoid clipping, both in your external hardware and when returning the audio to your computer.
Note that Spectrum is not an audio effect, but rather a measurement tool — it does not alter the incoming signal in any way. Phasing To create lush phasing effects, try using extremely small amounts of shift no more than about 2 Hz. To assign a parameter to the X-axis, choose it from the parameter row below the controller. The Tone control sets the spectral distribution of the distortions, directing them into the higher registers, or through the midrange and deeper. To edit the filter curve, click and drag on the filter dots in the display. To temporarily solo a single filter, enable Audition mode via the headphone icon. At 0%, the sidechain is effectively bypassed.
Each frequency range has both an upper and lower threshold, allowing for two types of dynamics processing to be used simultaneously per band. . I have no idea what the differences are between all those filter modes though and how to even remotely tell the difference between them. I adjust the Q values slightly for a natural dip and boost across this frequency range. The delay time between the input and the right channel is twice as long.
The Knee control adjusts how gradually or abruptly compression occurs as the threshold is approached. Clicking and holding the button for two seconds while in play mode activates Undo or Redo. Sequencing music is no easy task. Check which one suits you. This is common in guitar pedals where it is normal to make tight cuts and boosts at low frequencies, and wider cuts and boosts at high frequencies. Set it to 100 percent when using Simple Delay in a return track. Only 8 bits are used by Push 2, the 6 less significant bits are always zero.
Higher Gain settings result in a more distorted sound. Note that the gain cannot be adjusted for the low cut, notch and high cut filters. Note that this change may make your Set sound different. Settings in between these two extremes attenuate the input to a greater or lesser degree when the gate is closed. For this reason, Cabinet is paired with Amp , and the two are normally used together. All the presets are categorized and set to high quality mode.
Careful adjustment of attack and release times is essential when it comes to compression of rhythmical sources. Just a something to keep in mind. The most dramatic effects can be created by selecting the Waveshaper curve, which has its own dedicated set of controls. The Y-axis controls the modulation amount. Unlike many distortion units, it can be driven extremely hard without sacrificing dynamic range. With the Flip button enabled, the gate works in reverse; the signal will only pass if its level is below the threshold.
The Material knob adjusts the variation of the damping at different frequencies. Feedback sets the amount of previously recorded signal that is fed back into Looper when overdubbing. And yeah, peaks can come from rogue harmonics shooting out for one reason or another. Easily imbue mono input with stereo information by, for example, boosting a High Shelf on the Left while cutting high frequencies with a Low Pass on the right, tilting the high frequencies left without panning the entire signal. The lowest setting mixes the output signal to mono. The Pinch Effect has the same controls as the Tracing Model, but generates a rather different sound.
Drum tuning Tuning sampled acoustic drums can be tricky. The center frequency is the middle of the frequency range that the Mid control operates upon. Enabling this section with the Sidechain button allows you to select another track from the choosers below. The Output control attenuates the level at the device output. You can use the Sync Mode choosers to select one of the following beat-synced modes: Notes, Triplet, Dotted and 16th. Rate can also be synced to the song tempo and set in meter subdivisions e. The resonator quality chooser controls the tradeoff between the sound quality of the resonators and performance by reducing the number of overtones that are calculated.